It’s a curious thing, but just as I was entering the time of sleep lost after the arrival of the new pup, I began listening to the new release on the ECM label from the Tarkovsky Quartet. Not only was the album entitled Nuit blanche (‘sleepless night’ this side of the Channel), it also featured a dog on the cover. Not only that, the quartet, founded some years ago by the French pianist François Couturier and consisting of cellist Anja Lechner, soprano saxophonist Jean-Marc Larché and accordionist Jean-Louis Matinier takes its name from the Russian film director whose greatest works include Stalker – which was itself the subject of Zona, a brilliant meandering, meditative book by Geoff Dyer, a bunch of whose books were all that I could focus on in the indolent, zoned-out state in which I found myself. In situations like this you can’t help asking, ‘What’s going on?’ Continue reading “Backtracking: jazz encounters in the room of dreams”
Behind the counter at the newsagent, Jamal looked a little worse for wear: ‘I didn’t get much sleep last night,’ he said, explaining that the start of Ramadan always tended to knock his body rhythms for six. He’d got to bed late after evening prayers, and couldn’t sleep. Knowing he would have to be up at 3am to eat before morning prayers, he’d finally abandoned all thought of sleep. We went on to have an interesting conversation.
Jamal is a scouser whose Yemeni father would once deliver the newspaper right to our door. He says he’s grateful that his mixed ancestry has gifted him with two countries where he feels at home. He says he’s travelled to many countries and what he has found is that people are pretty much the same everywhere. He says all of us, whatever our faith – Muslim or Jew, Christian or Hindu – are taught by our religion that it is right to feed a stranger or look out for a neighbour. But now he is troubled: his Yemeni homeland is being torn apart in a war between Sunni and Shi’ite. His Muslim identity is being fractured. And anyway, there is more to him than just being Muslim. He is English and proud of it; he is Yemeni and proud of that too; he is Liverpudlian and proud of it; he is European and proud of that too. He is moved to tears by the Manchester bombing – but also by the ISIS bomb that killed 15 and wounded dozens last night as Muslim families in Baghdad broke their Ramadan fast at an ice cream shop.
I said to Jamal, ‘That reminds me of something I read by a Palestinian American poet. I will bring it to you.’ Continue reading “One for Jamal: Not everything is lost”
I have never had any problem sleeping, losing consciousness within minutes of laying my head on the pillow. Yet, paradoxically, I have always been a light sleeper, snapping awake at untoward sounds and disturbed by encroaching light. Any happy balance I had achieved between these contradictory poles was instantly shattered when, in late April, we brought home our new Cocker Spaniel puppy. Not only did I get less – much less – than my preferred allocation of sleep (being woken and expected to play chase around the garden at 5am), my light sleeper mode went into overdrive, instantly waking at the slightest movement or sound from the puppy’s crate at the foot of our bed. The pup would shift, then fall asleep, while I lay sleepless and alert until the grey light of dawn spilled through the curtains and our noisy, thoughtless neighbours began tootling their blasted chorus. Continue reading “Days of indolence: reading Geoff Dyer and trying to make progress”
In the aftermath of the Manchester bomb atrocity there were so many stories of the kindness offered by strangers to those who were victims, or were caught up in, the attack – the guy who drove through the night, giving lifts home to those stranded; the woman who guided children to the safety of a local hotel; and all those who offered food and shelter for the night. Then there were the gatherings – in Manchester and Liverpool – which were, as one young woman expressed it on Channel 4 News, ‘more about love and not hatred.’
In this respect there was nothing unusual about Manchester. The kindness of strangers, in Tennessee Williams’ memorable phrase, is a quality we see repeatedly after such terrible events. And though the gatherings and vigils that follow might seem, especially for those with a sceptical or cynical turn of mind, predictable, they do perform a valuable service. Not only do they bring us together when we feel at our most frightened and vulnerable, they also remind us, as George Monbiot insists in his column today, that ‘human cooperation and reciprocity are so normal we scarcely seem to notice them.’ It can be easy after this kind of atrocity – one in which children and young people enjoying their first taste of freedom and independence were sought out to be deliberately blown apart – to conclude that there is no humanity, that we are an intrinsically fallen species. Continue reading “Manchester: the reciprocity of kindness”
I Am Not Your Negro is not a film about James Baldwin: more like a séance presided over by director Raoul Peck in which he summons up from beyond the grave Baldwin’s voice ventriloquised by Samuel L. Jackson in a narration drawn entirely from Baldwin’s work. It is not one of those conventional documentaries cluttered with the thoughts of friends, relatives or experts, but a work of literary archaeology that pieces together a book which Baldwin planned but never wrote, using his notes, plus words – and only his words – from letters, essays and books written in the mid-1970s. It is, perhaps, the best documentary I have ever seen. Continue reading “I Am Not Your Negro: James Baldwin’s words remain as urgent and relevant as they were when written”
Rainer Werner Fassbinder’s Fear Eats the Soul has been re-released nationally as part of a retrospective at London’s BFI Southbank. Thanks to the MUBI streaming service I got a chance to watch again one of the great works of the New German Cinema that I last saw when first released in 1974. The film remains as extraordinary and – sadly – as urgent and relevant in 2017 as it was in 1974. Fear Eats the Soul is, without doubt, a masterpiece: a blistering social and psychological examination of racism that has a tenderness rarely found in Fassbinder’s work. In addition, the idea of a film which treats the sexuality of a sixty year old woman in so matter of fact and sensitive a manner unfortunately remains as startling now as it was four decades ago. Continue reading “Fear Eats the Soul: Fassbinder’s film is still relevant after 40 years”