Arild Anderson Trio at the Band on the Wall: fiery, intense, soulful

Arild Anderson Trio at the Band on the Wall: fiery, intense, soulful

Arild Andersen’s name has run like a thread through almost the entire history of ECM records, all the way back to the double-bass player’s collaboration with Jan Garbarek on Afric Pepperbird back in 1971. His most recent project has been the trio formed a decade ago with Paolo Vinaccia on drums and Tommy Smith on saxophone. I saw them play a spell-bindingly energetic set at Manchester’s Band on the Wall. Continue reading “Arild Anderson Trio at the Band on the Wall: fiery, intense, soulful”

The Kronos Quartet at RNCM: all kinds of music, every which way

The Kronos Quartet at RNCM: all kinds of music, every which way

There was a rare opportunity on Sunday evening to catch the Kronos Quartet in concert at the Royal Northern College of Music in Manchester.  No strangers to the capital, they rarely tour the UK as extensively as they are doing this month.

Kronos may look like a conventional string quartet (since 2013, they have consisted of founder David Harrington on violin; John Sherba, violin; Hank Dutt, viola; and Sunny Yang – the most recent recruit to the group – on cello), but their repertoire and approach to their instruments is far from conventional.

The quartet has been in existence for over 40 years, with only the cello player changing in that time. The eclectic Kronos repertoire draws largely – though far from exclusively – on 20th and 21st century contemporary classical music, and they are renowned for championing new music of all genres and from all parts of the world. All of which was evident in the exciting programme they presented at the RNCM. Before a packed concert hall, the Quartet drew a rapturous reception, and the thunderous applause they got at the close compelled the musicians to return to the stage four times for encores.

Continue reading “The Kronos Quartet at RNCM: all kinds of music, every which way”

Hymns and visions: the quiet fire of Tord Gustavsen and Simin Tander

Hymns and visions: the quiet fire of Tord Gustavsen and Simin Tander

The Norwegian pianist Tord Gustavsen is renowned for the hypnotically hushed tones of the half-dozen albums he has recorded for ECM during the last 15 years. So we were not entirely surprised on Saturday evening, in the stripped-back surroundings of the CBSO Centre in Birmingham, to experience jazz at its  quietest and most minimal. Continue reading “Hymns and visions: the quiet fire of Tord Gustavsen and Simin Tander”

Rocking gently: Ballake Sissoko and Vincent Segal in concert at RNCM

Rocking gently: Ballake Sissoko and Vincent Segal in concert at RNCM

Last weekend, at the Royal Northern College of Music in Manchester, we were treated to a stunning display of instrumental virtuosity by Ballake Sissoko, kora master from Mali, and Vincent Segal, French conservatory-trained cellist. Since 2009 the pair have recorded three albums together, delicate and lovely conversations between instruments from two classical music traditions. Continue reading “Rocking gently: Ballake Sissoko and Vincent Segal in concert at RNCM”

Two fine concerts wrap up the 2016 Liverpool Jazz Festival

Two fine concerts wrap up the 2016 Liverpool Jazz Festival

This year’s Liverpool International Jazz Festival concluded with two superb sell-out concerts.  On Saturday evening Courtney Pine and Zoe Rahman showcased songs from their duet album, Song: The Ballad Book, and on Sunday Andy Sheppard brought Bristol Hotel, his quartet of Bristol-based musicians to close the Festival. Continue reading “Two fine concerts wrap up the 2016 Liverpool Jazz Festival”

Vieux Farka Toure live in Liverpool: jaw-dropping guitar virtuosity

Vieux Farka Toure live in Liverpool: jaw-dropping guitar virtuosity

Another visit last night to Liverpool’s excellent new music venue, The Music Room at the Philharmonic, to see a superb display of guitar virtuosity from Vieux Farka Toure. Son of Ali Farka Toure, his playing is still reminiscent at times of his father’s style, but there’s no doubt that he has now emerged as guitarist with a style that is uniquely his own, a jaw-dropping blend of psychedelic blues-rock à la Hendrix and the loping, rhythmic desert blues played by Saharan bands like Tinarwen or Tamikrest. Continue reading “Vieux Farka Toure live in Liverpool: jaw-dropping guitar virtuosity”

Keith Jarrett at the Royal Festival Hall: music can heal

Keith Jarrett at the Royal Festival Hall: music can heal

Play like you think it’s going to be the last time. That’s the only way to play.
Keith Jarrett

Precisely one week after the atrocities began in Paris we were in the Royal Festival Hall watching Keith Jarrett give one of his most intense and impassioned solo performances. Hunched over the Steinway, his face at times just inches from the keys, the man in the single spotlight and all of us gathered together to hear him play represented everything that the killers seek to destroy – a shared pleasure in music and the freedom to mingle at peace on a Friday night with other human beings from anywhere in the world, of all faiths or none.

Continue reading “Keith Jarrett at the Royal Festival Hall: music can heal”