After seeing Catrin Finch and Seckou Keita once again last night at the Liverpool Philharmonic Music Room, and to celebrate an outstanding concert, here’s a repost that records the first time we saw the duo – in October 2014. Continue reading “Catrin Finch and Seckou Keita braid tales of Wales and Senegal”
‘Where England ends half way across a field’ in the Vale of Ewylas, we followed a trail that led eventually to ‘the cleft Church at Cwmyoy, its displaced gravity’ (in Geoffrey Hill’s words from Comus). Unique since no part of it is square or at right angles with any other part, the church tower tilts at an alarming angle that outleans the Tower of Pisa. It’s an astonishing building that stands beneath a crag on the slope of a hillside with scarcely a house in sight. Continue reading “In the Black Mountains: walking a crooked mile to a crooked church”
A song of harmony and rhyme
In haunts of ancient peace.
– Van Morrison, ‘Haunts of Ancient Peace’
Last week we spent an all-too-short four nights based in the Black Mountains region at the eastern end of the Brecon Beacons. It’s an area that has inspired poets and painters, diarists and novelists: Bruce Chatwin called this area one of the emotional centres of his life.
For me, the trip had been partly impelled by reading Tom Bullough’s novel Addlands which is set in the Edw valley, north of Painscastle and Hay on Wye. But the literary and artistic connections in a landscape that still seems lost in time are numerous: Bruce Chatwin, Dorothy and William Wordsworth, Francis Kilvert, Allen Ginsberg and Owen Sheers, David Jones and Eric Ravilious are among those who lived here, passed through and were inspired by this area. Continue reading “In border country: haunts of ancient peace”
In the current issue of the London Review of Books there is an article by John Lanchester in which – although he’s writing about Brexit – he makes an observation that seems to resonate with a novel I read recently: ‘England’, Lanchester writes, ‘is both a small country and a big one …there is a lot of Deep England out there.’
Tom Bullough’s Addlands is set in deepest Radnorshire, a story of hill farmers battling with the forces of nature in one of Britain’s wildest, poorest and least populated areas. Historically a Welsh county, culturally Radnorshire has been a law unto itself, its people declaring their identity as neither Welsh nor English, but Radnor folk, people of the Borders; and fiercely-contested borders between fields and farms form one of the threads in a novel that spans the decades from the 1940s to 2011. Continue reading “Addlands: the inescapable ties of geography and place”
‘My brain is cloudy, my soul is upside down …’
– Bob Wills, ‘Brain Cloudy Blues’
The sun is molten in a shimmering sky. But we are driving through mounds of snow, banked in drifts along the carriageways and lanes: drifts of Ox-eye daisies. For mile after mile along the North Wales Expressway there are tens of thousands of these gently swaying flowers that seem to thrive – often deliberately planted, I think – turning what would otherwise be an extended wasteland along roadside verges into a summer’s visual delight. When I was a child in Cheshire these flowers – so bright that they appear to ‘glow’ in the evening – were commonly known as Moon Daisies. Continue reading “Brain cloudy blues”
There’s a self-portrait David Jones painted in 1931 when he was in his mid-thirties. In Human Being he depicts himself almost as a boy, an unworldly youth with a thoughtful, quizzical look in his eyes who radiates a sense of inner strength. His hands are delicate, sensitive, almost feminine.
At Pallant House Gallery in Chichester last week I stared at this memorable image for some time, trying to figure out the man who is the subject of Vision and Memory, a major exhibition of his work showing there until February. There was much about Jones that I found a strange, complex and difficult to understand – whether in terms of the historical, religious and mythological allusions that fill his paintings (and his poems) – or in the sense of knowing the human being behind the work. Continue reading “David Jones: Vision and Memory at Pallant House”
On Monday evening I went along to Liverpool’s newest live music venue – the Philharmonic Hall’s Music Room – to see Seckou Keita give another outstanding performance on the kora. I say another because a year ago we saw him, along with the Welsh harpist Catrin Finch, in what we decided was one of the best concerts we had ever attended. Continue reading “Seckou Keita in the Phil’s new Music Room”