Europe is facing a wave of migration unmatched since the end of World War II – and no one has reported on this crisis in more depth or breadth than the Guardian’s migration correspondent, Patrick Kingsley. In today’s Guardian, Kingsley offers an impassioned overview of Europe’s collective response to the refugee crisis. This is how he begins: Continue reading “We walk together? Europe’s failure on refugees echoes the moral collapse of the 1930s”
An emotional day here in Liverpool. ‘Truth and Justice’ reads the banner that extends the full length of St Georges Hall. It took 27 years. David Conn, who has written extensively on the subject for the Guardian, writes today of the Hillsborough disaster: deadly mistakes and lies that lasted decades, and how at the inquest a picture emerged of a callously negligent police force led by an inexperienced commander whose actions directly led to the deaths of 96 people. Continue reading “Justice at last for those ‘driven by the power of love and the bonds of family’”
In recent days I’ve made two journeys back into the dark heart of Auschwitz courtesy of a book and a film. But You Did Not Come Back is Marceline Loridan-Ivens’ moving memoir addressed to her father. Aged fifteen, she survived the death camp, but her father did not return. The acclaimed film Son of Saul was my second encounter with the horrors of Auschwitz. Despite the praise heaped upon László Nemes’s film, I have my reservations. Continue reading “Son of Saul: Auschwitz in unrelenting close-up”
Marceline Loridan-Ivens is one of around 160 living survivors of the 2,500 French Jews who returned after the war, of the 76,500 sent to Aushwitz-Birkenau. ‘I was quite a cheerful person’, she writes in the opening words of But You Did Not Come Back, her moving memoir addressed to her father. Aged fifteen when she and her family were rounded up by French police before being despatched to Auschwitz, she survived but her father did not return.
After seeing the acclaimed film Son of Saul, Marceline Loridan-Ivens’ slim volume has been the second journey back into the dark heart of Auschwitz that I have made in recent days. Continue reading “But You Did Not Come Back: love letter to a lost father”
So now we know that global temperature in February and March shattered a century-long record – and by the greatest margin ever seen. Annual heat records are fallling like ninepins, with 2015 demolishing the record set in 2014 for the hottest year seen, in data stretching back to 1850, while the UK Met Office expects 2016 to set a new record.
Prof Michael Mann, climate scientist at Penn State University in the US, was shocked by the data, saying it is ‘a reminder of how perilously close we now are to permanently crossing into dangerous territory. It underscores the urgency of reducing global carbon emissions.’
It’s a year now since the Guardian published two lengthy extracts from Naomi Klein’s enormously important book, This Changes Everything: Capitalism versus the Climate, to kick off their Keep it in the Ground campaign. Since then I’ve read Klein’s book in its entirety. It is probably the most important book published so far this century; as the New York Times observed:
This Changes Everything: Capitalism vs. the Climate is a book of such ambition and consequence that it is almost unreviewable, the most momentous and contentious environmental book since Silent Spring.
The book, plus the powerful and inspiring film based on it which I watched last night, continues to send shock waves around the world. This week Canada has been convulsed with debates over the bold and radical Leap Manifesto which takes its name from the title of the last chapter in Klein’s book and dares to call for ‘a Canada based on caring for the Earth and one another.’ Continue reading “Hotter than ever: capitalism, the Leap Manifesto and This Changes Everything“
We are all streams from one water.
A block of quartz three thousand years old is the opening image of Patricio Guzman’s The Pearl Button; trapped inside is a drop of water. It was found in Chile’s Atacama desert, the driest place on Earth. Guzman’s last film, Nostalgia for the Light, began there, too.
After aridity, water: whereas that film remained for the most part in that ‘condemned land’ where human remains are mummified and objects are frozen in time, water is the key to everything in The Pearl Button, and Guzman follows the water – ‘Chile’s longest border’ – two and a half thousand miles south to Western Patagonia where the mountains of the Andes sink into the water to re-emerge as thousands of islands. Continue reading “Patricio Guzman’s The Pearl Button: ‘We are all streams from one water’”
A couple of weekends ago in The Observer, there was an article, 50 documentaries you need to see, introduced by Nick Fraser, editor of the BBC’s Storyville. The following night the Storyville slot on BBC Four featured an outstanding documentary concerned with history, guilt and justice directed by David Evans in which human rights lawyer Philippe Sands – whose family, all but one, were Jews murdered by Nazis at Lviv – accompanied the sons of two prominent Nazi leaders on a journey across Europe and into the darkness of the past shared by all three men. Continue reading “My Nazi Legacy: official justice and moral judgement”