Conjuring lost lives from the sands of Lunt Meadows

Conjuring lost lives from the sands of Lunt Meadows

Everything dies, baby, that’s a fact
But maybe everything that dies someday comes back

A few miles to the north of Liverpool, on a sandy spur of land on the floodplain of the river Alt, is one of the most significant archaeological sites in Britain. At Lunt Meadows, Ron Cowell, Curator of Prehistory at the Museum of Liverpool, has been directing excavations on a patch of land where some 8000 years ago bands of nomadic hunter-gatherers would regularly pitch camp at different times of the year. Buried deep for thousands of years, the traces left by those people are suggesting new interpretations about the way people of the Mesolithic era organised themselves, and the beliefs that bound them to the natural world and to each other.

One morning this week, as part of this year’s Festival of Archaeology, Ron Cowell showed a group of us around the Lunt Meadows site, spending a generous four hours explaining the significance of his team’s findings and answering questions. Continue reading “Conjuring lost lives from the sands of Lunt Meadows”

Addlands: the inescapable ties of geography and place

<em>Addlands</em>: the inescapable ties of geography and place

In the current issue of the London Review of Books there is an article by John Lanchester in which – although he’s writing about Brexit – he makes an observation that seems to resonate with a novel I read recently: ‘England’, Lanchester writes, ‘is both a small country and a big one …there is a lot of Deep England out there.’

Tom Bullough’s Addlands is set in deepest Radnorshire, a story of hill farmers battling with the forces of nature in one of Britain’s wildest, poorest and least populated areas. Historically a Welsh county, culturally Radnorshire has been a law unto itself, its people declaring their identity as neither Welsh nor English, but Radnor folk, people of the Borders; and fiercely-contested borders between fields and farms form one of the threads in a novel that spans the decades from the 1940s to 2011. Continue reading Addlands: the inescapable ties of geography and place”

Stories of exile: Queens of Syria, Exodus and the Very Quiet Foreign Girls’ Poetry Group

Stories of exile: <em>Queens of Syria, Exodus</em> and the Very Quiet Foreign Girls’ Poetry Group

Another day, yet another atrocity hurled from the maelstrom of conflict in the Middle East, the turmoil which has also resulted in over half of Syria’s people being killed or forced to flee their homes to become refugees. In the evening I attend a performance at the Liverpool Everyman of Queens of Syria, a remarkable touring production, performed by Syrian women from a refugee camp in Amman, which weaves the women’s own stories of exile and war into passages from the ancient Greek play The Trojan Women, theatre’s earliest dramatisation of the plight of women in war.

Earlier this week I watched the BBC documentary trilogy, Exodus: Our Journey to Europe, which told the stories of some of the refugees in last year’s huge movement of people fleeing disaster – on dinghies crossing from Turkey to Greece, along the migrant trail through the Balkans, and in the Jungle at Calais – filmed along the way by those same people on mobile phones.

After a referendum campaign which seemed to establish the expression of racist or anti-immigrant sentiment as respectable once more, these three films gave voice to those who have truly lost their homeland, in stark contrast  to those in this country who, having ‘wanted to get their country back’, now truly believe that’s what they have achieved. Continue reading “Stories of exile: Queens of Syria, Exodus and the Very Quiet Foreign Girls’ Poetry Group”

This morning I grieve for Nice

This morning I grieve for Nice

There’s a mysterious song by John Prine that always raises the hairs on the back of my neck. In it he sings about Lake Marie, where, ‘standing by peaceful waters’, he would camp with his girl, catch a few fish and grill sausages on the barbecue. A place of simple happiness. But then, in the last verse, everything changes: watching the TV news he sees that the naked bodies of two girls, their faces horribly disfigured, have been found on the shore of Lake Marie, and suddenly:

All the love we shared between her and me was slammed,
Slammed up against the banks of Old Lake Marie!

That’s just how I feel this morning, hearing the terrible news from Nice, a beautiful city by the sea where the two of us have spent several joyful vacations – a love passed on to our daughter who goes there most summers, and will be there again in a few weeks.

A lifetime ago, in the late seventies, returning from a camping holiday somewhere in the Dordogne, the Tarn or the Auvergne, those beautiful, unspoilt regions of la France Profonde, we would stop in some small town or village on the 14th of July and watch as the fireworks lit up the night sky and the locals celebrated their national holiday.

That past seems like another country now. This morning I grieve for Nice, for France, and for humanity. Ordinary people living their ordinary lives have always been casualties of war, but since the start of the twentieth century wars have placed civilians more than soldiers in the gun sights. Whether it be by the technology of total war or the tactics of the suicide bomber.

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Abbas Kiarostami: his love of simple reality captured the spirit of his times

Abbas Kiarostami: his love of simple reality captured the spirit of his times

Abbas Kiarostami’s The Wind Will Carry Us opens with a panoramic shot of a car making its way along a dusty track winding through a bare landscape dotted with occasional trees. In the car a group of film-makers argue about directions to the village where they have arranged to make a film. They are looking for a turning that should be near a single tree. One of the film-makers quotes a line from a Sufi poem: ‘Near the tree is a wooded lane/Greener than the dreams of God… .’

In those few seconds of film are encapsulated several of the defining characteristics and concerns of the films of the Iranian director, whose death was announced earlier this month. Years after seeing his films, images from them still haunt my imagination. Continue reading “Abbas Kiarostami: his love of simple reality captured the spirit of his times”

The Somme: they went over the top one hundred years ago this morning

The Somme: they went over the top one hundred years ago this morning

At 7.30 on a sunny morning one hundred years ago today more than sixty thousand British soldiers, each with a bayonet rifle in his hand, began climbing out of their trenches along a 13-mile front and walked towards the German line. By nightfall 20,000 British soldiers were dead. In just a few minutes whole communities in Britain had been devastated.  This was the start of the Battle of the Somme. It went on, with little gain, for nearly half a year. By then, more than a million men were dead or wounded, making it one of the bloodiest battles in human history. Continue reading “The Somme: they went over the top one hundred years ago this morning”