It was one of those books that sit in the pending pile for quite a while, but I finally got round to reading Kenan Malik’s The Quest for a Moral Compass this autumn. Subtitled ‘A Global History of Ethics’ his book proved to be a rewarding, accessible (and actually quite gripping) three thousand year history of moral thought, not just in the West but across the globe. Reading it in the closing months of this awful year in which cherished assumptions about how we govern ourselves and relate to one another have been cast asunder was nothing if not timely. Continue reading “The Quest for a Moral Compass: the moral tightrope we are condemned to walk as human beings”
They are the sort of people who leave few traces. Virtually anonymous. Inseparable from those Paris streets, those suburban landscapes …
Hearing the news that Bob Dylan had been awarded this year’s Nobel Prize for Literature, I thought it was about time that I investigated last year’s winner, Patrick Modiano. Like many on this side of the Channel, the French novelist’s name was unknown to me. Now my literary friend Dave reckoned I should read his 1997 novella Dora Bruder, published here as The Search Warrant. It proved to be an excellent recommendation: Modiano’s spare and finely-written excavation of memory is a haunting addition to the literature of the Holocaust and one that is unique, being neither Holocaust memoir nor historical fiction but a skilful reconstruction of a life and a moving reflection on his country’s amnesia surrounding collaboration and the fate of French Jews during the Occupation. Continue reading “Patrick Modiano’s The Search Warrant: missing, a young girl, the sort who left few traces”
Paul Nash first discovered Wittenham Clumps, two ‘dome-like hills’ in Oxfordshire with a ‘curiously symmetrical sculptural form’ in 1911. Between 1912 and 1946 he would paint them repeatedly as he sought to encapsulate there and in other places (such as the South Downs and the stone circles of Aylesbury) the idea of a ‘spirit of place’. Yet his engagement with the mystery and magic he found in certain landscapes was only one strand in the rich legacy of work left by Paul Nash. In his time he was official war artist in two world wars, and a pioneering figure at the heart of a group of artists who brought surrealism into British art, a painter who utilised photography, collage and assemblage in pursuit of his vision.
All of these aspects of Paul Nash’s work are explored in depth in Tate Britain’s vast and definitive exhibition which we saw while in London. It is a huge show of more than 160 works which convincingly presents Nash as not only a war artist of great importance, and a pioneering figure of the British avant-garde in the 1930s, but also as a romantic in the tradition of William Blake and Samuel Palmer, who, like them, created visionary landscapes drenched in symbolism and painted as if in a dream. Continue reading “Paul Nash at Tate Britain: searching for a different angle of vision”
For the second time today I’m re-blogging a post by another blogger. Compared to the first, this one is deadly serious. From Cath’s Passing Time here are some things which must be said on the day that Jo Cox’s murderer is sentenced to life. Continue reading “Fascism arrives as your friend: important words from a fellow-blogger”
On my last birthday, my lovely daughter gifted me Bruce Springsteen’s autobiography, Born to Run. For any Springsteen fan, it’s an absorbing read and even though I had already consumed Peter Ames Carlin’s biography Bruce, I learned much about the man’s early life and family, and the grind of his early music-making days with his first bands playing along the Jersey shore – many details that only the man himself could know. Though the reviews focussed on the book’s revelations about the periods during which he has suffered from depression, for me the most enthralling sections were those where Springsteen describes a couple of hair-raising and eventful road trips across America.
I was reminded that I’d never got round to writing about Springsteen’s book when I read a report about President Obama bestowing the Presidential Medal of Freedom (America’s highest civilian honour) on Springsteen yesterday in a ceremony at the White House. Springsteen’s book is over 500 pages long. Here’s the concise version, courtesy of Barack Obama. It’s rather good: Continue reading “Barack on Bruce: ‘sprung from a cage out on Highway 9’”
Back when the 50s had just turned into the 60s, in the days of listening to Radio Luxembourg at night on a valve radio that glowed in the dark; in my early teenage days, before the beat from out of Liverpool had shaken things up – in those days, one of my favourite singles was ‘Blue Moon’ by the Marcels. I was just a kid and with the innocence and ignorance of youth I had no idea that I was listening to a Rogers and Hart show tune from the thirties: what I heard in the animated nonsense ‘bomp-baba-bomp’ of the bass man’s intro and the unrestrained wails and chants of the rest of the group was teenage magic.
So it was with great pleasure that I read this post by Thom Hickey on his always enjoyable Immortal Jukebox blog. It’s such a wonderful piece of writing that I felt compelled to share it here. Continue reading “Blue Moon: not once but four times (a teenage dream re-blogged)”
I first encountered the work of Malick Sidibé after he had he became the first photographer – and the first African artist – to receive the Golden Lion award for lifetime achievement at the Venice Biennale in 2007. In his photographs, made in and around Mali’s capital, Bamako, in the early years of independence in the 1960s and 70s, I found the perfect visualisation of the country’s music that I had known and loved since discovering it in the 1980s.
So when I was in London recently, I hot footed it to the first exhibition of his work in the UK now on at Somerset House. Bringing together 45 original prints, the show captures the exuberance of newly independent Mali in the 1960s and ’70s; through Sidibé’s lens we glimpse scenes of a youthful, joyous Mali of carefree swimming parties on the banks of the Niger, partying and dancing in the city’s thriving clubs, and studio portraits of proud Malians showing off their latest outfit or prized possession. Sidibé images are an expression of a different era, a happier time in a country whose recent history has been beset by trouble and violence. Continue reading “Malick Sidibé at Somerset House: the photographer who captured a youthful, joyous Mali”