The Absence of War: parliamentary socialism, anybody?

A revival of David Hare’s 1993 play, The Absence of War, seemed an enticing prospect. A drama portraying the Labour Party as lost in ideological confusion, drained of vitality, and unable to mobilise public support or present a vision or values in any compelling way promised to be highly relevant in present circumstances. But at the Liverpool Playhouse the other night I … Continue reading The Absence of War: parliamentary socialism, anybody?

One Man Breaking Bad

How to explain the phenomenon of Breaking Bad? I pondered this as we waited for One Man Breaking Bad to begin last night in a sold-out, packed Liverpool Philharmonic. The fact that Miles Allen, a Los Angeles-based actor and comedian could fill the place with his 80-minute précis of five seasons of a series never shown on UK television is quite something. Asking … Continue reading One Man Breaking Bad

Leviathan: politics, religion, and vodka (lots)

Leviathan, the latest film from Russian director Andrey Zvyagintsev, opens with waves beating upon a barren shore where rocks as old as the earth face an implacable, slate-grey sea. Tracking inland across barren wastes to an insistent Phillip Glass score, the camera encounters signs of human imprint on this unforgiving landscape: power lines, the hulks of wrecked and abandoned … Continue reading Leviathan: politics, religion, and vodka (lots)

Only in England: photos by Tony Ray-Jones and Martin Parr at the Walker

On show at the Walker in Liverpool until June is a tremendous exhibition of photography by Martin Parr and Tony Ray Jones. I first saw the exhibition Only in England when it was on at the Science Museum in London in 2013, and it so captivated me then that I had to go and see it again. For a … Continue reading Only in England: photos by Tony Ray-Jones and Martin Parr at the Walker