Today we took the bus up into the hills to the small hilltop town of St Paul de Vence (1€ ticket!) to visit the Maeght Foundation and then on to Vence to see the Chapel du Rosaire, designed by Matisse.

The Chapel of the Rosary is a small chapel built for Dominican nuns in Vence. It was designed and decorated by Matisse between 1949 and 1951 and houses a number of Matisse originals. Matisse himself regarded the Chapel as his masterpiece.

In 1941, Matisse, who lived most of the year in Nice in the south of France, developed cancer and underwent surgery. During the long recovery he was particularly helped by Monique Bourgeois, who had responded to his advertisement seeking  “a young and pretty nurse” and who took care of Matisse with great tenderness. Matisse asked her to pose for him, which she did, and several drawings and paintings exist. In 1943 Monique decided to enter the Dominican convent in Vence, and she became Sister Jacques-Marie.

Matisse eventually bought a home at Vence, not far from the convent. She visited him and told him of the plans the Dominicans had to build a chapel in Vence. She asked Matisse if he would help with the design of the chapel. Though he had never done anything like it, but Matisse agreed to help, beginning in 1947.

There are three sets of stained glass windows, making use of just three colours: an intense yellow for the sun, an intense green for vegetation and cactus forms, and a vivid blue for the Mediterranean Sea, the Riviera sky and the Madonna. The two windows beside the altar are named the ‘Tree of Life’, but the forms are abstract. The colour from the windows floods the interior of the chapel, which is otherwise all white.

For the walls, Matisse designed three great murals made by painting on white tiles with black paint and then firing the large sections of tile. Behind the altar is a large image of St. Dominic, founder of the Order of Dominicans.

On the side wall there are abstract images of flowers and an image of the Madonna and Child, all created in black outlines on the white tiles. On the back wall of the chapel are the traditional 14 stations of the cross. Although the 14 stations are usually depicted individually, Matisse incorporated all of them on one wall in one cohesive composition.

Matisse also designed the priests’ vestments for the chapel, using the traditional ecclesiastical colors of the religious seasons: purple, black, rose, green, and red.

Postscript: here’s a moving extract from the BBC Modern Masters series in 2010, in which Alastair Sooke visits the Chapelle du Rosaire:

15 thoughts on “Chapelle du Rosaire by Matisse

    1. Only the outside view – for that reason! The others are images available on the web by photographers who presumably had special permission. I too watched the Modern Masters programme and found the section on the cutouts and the Chapel stained glass the best part; and seeing Alastair Sooke so visibly moved by them. There’s a nice slideshow on the Modern Masters website

  1. My partner and I stumbled over here by a different web address and thought
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  2. Hi, as a minister (non comformist!!) i still find this abeautiful interior. About 10 years ago we came across the old church in Aigue Morte, in the Carmargue, an ancient building yet with very bright , very modern, highly coloured windows.They were not like our traditional windows, just abstract shapes in two colours. They were qhuite stunning and gace the simple pale interior a wonderful glow.
    Similarly, last year we found an Old Church with modern vibrant windows in Port Louis.
    Its seems to be a “French thing”, yet somehow it works beautifully.

  3. Hello there! This is my first comment here so I just wanted to give a quick shout out and tell you I
    genuinely enjoy reading your articles. Can you recommend any other blogs/websites/forums that
    go over the same subjects? Thanks for your time!

    1. Thanks for your kind remarks, Pauline. I tend to cover a variety of topics, but if I am right in thinking that kits the art posts that you are most drawn to, I have found the websites listed under Art in the right-hand panel fascinating to browse – the Google Art Project, the BBC’s amazing Your Paintings, and the Arts Desk. The Tate’s searchable slideshow is good too ( For blogs, one of my favourites is Diana J Hale’s (

  4. Mischa says,

    How stunning! Such grace. I am very moved too, such a vision, so clear to encompass. Thank you for the insight. Brilliant.

  5. Greetings: My husband and I visited the Matisse Chapelle in 1965. Ray drew a sketch of the carved wood white door to the confessional. It has wood cut-outs applied to the door. What is the proper term to describe those “applied cut-outs”? Thank you for your descriptions.

    1. Hi Margaret, thanks for reading and adding your comment. I don’t know whether there is a specific term for what Matisse did with the door to the confessional at Chapelle du Rosaire, except that the design is a three dimensional embodiment of his paper cut outs. I have the catalogue for the Tate Cut-Outs exhibition this year which has a section on the Chapelle du Rosaire, but it casts no light on this. Sorry not to be able to help more.

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