Representations of the Holocaust: stage, screen and text

Representations of the Holocaust: stage, screen and text

To forget the dead would be akin to killing them a second time.
― Elie Wiesel, Night

Human suffering anywhere concerns men and women everywhere.
― Elie Wiesel, Night

Two very different representations of the Holocaust seen in the last 48 hours are the subject of this post. The first is the stage adaptation by Children’s Touring Partnership of  Irish novelist John Boyne’s ‘fable’ for younger readers, The Boy In The Striped Pyjamas, set in Auschwitzthe second a documentary film, Night Will Fall, about the army photographers who filmed the horrific scenes revealed when British forces entered the concentration camp at Bergen-Belsen. Continue reading “Representations of the Holocaust: stage, screen and text”

Auschwitz: there was no why there

Auschwitz: there was no why there

In his memoir If This Is a Man, Primo Levi recalled his first adjustments to the Auschwitz regime with a sort of wry irony, telling how he asked a prisoner already experienced in the ways of the camp whether the guards would give them back their toothbrushes. Contemptuously, the prisoner replies: ‘You are not at home, this is not a sanatorium, the only exit is by way of the Chimney’. When Levi, thirsty, breaks off an icicle, it is brutally snatched away by a guard who, on being asked ‘Why?’ replies, ‘There is no why here’. Continue reading “Auschwitz: there was no why there”