The music in my head in 2016

The music in my head in 2016

Something I’ve remarked on before is that these posts don’t properly reflect the ubiquitous presence of music in my daily life. Occasionally I do mention a new album that has made an impact, and I do record here all the live music events that I attend. But there’s always so much more. So here is a roundup of some of the music which I have particularly enjoyed in 2016. The post ends with a playlist of the music mentioned. Continue reading “The music in my head in 2016”

The music in my head (part 3): jazz and beyond

The music in my head (part 3): jazz and beyond

This is the third post in which I recall some of the music I’ve enjoyed in 2015 but never got round to writing about. This one is dedicated (with two exceptions) to music recorded on the record label that is, for me, indispensable – ECM. There’s a lot of jazz, examples of the gift of ECM’s guiding spirit Manfred Eicher for bringing together musicians from different contexts to create wonderful sounds, and some of the contemporary music released on the ECM New Series label. Continue reading “The music in my head (part 3): jazz and beyond”

Sinikka Langeland’s mix of Norwegian folk, jazz and poetry

Sinikka Langeland’s mix of Norwegian folk, jazz and poetry

Yet another gem emerged from the cornucopia of ECM Records last month – The half-finished heaven, the fourth album that Sinikka Langeland, the kantele player, singer and composer from Norway has recorded for Manfred Eicher’s label.

It’s a gorgeous record from an artist I first encountered in 2006, when she released her first ECM recording, Starflowers.  Like that album – and The Land That is Not that followed it – The half-finished heaven is an inspiring mix of Norwegian folk, jazz and poetry. Continue reading “Sinikka Langeland’s mix of Norwegian folk, jazz and poetry”