Arvo Pärt in Manchester: music that fulfils a deep human need

Arvo Pärt in Manchester: music that fulfils a deep human need

During the interval at last night’s magnificent Arvo Pärt concert at the Bridgewater Hall I sneaked a look at the latest news on my phone. At the Brussels eurozone summit, Greece was being forced to accept financial colonialism in terms as humiliating as those imposed on Germany at Versailles in 1919.

Back in the concert hall, the programme of Pärt’s sublime music continued with his impassioned work for orchestra and solo soprano, Como cierva Sedienta. With its declamatory choruses, it seemed to speak to the ugly mood in Brussels: Continue reading “Arvo Pärt in Manchester: music that fulfils a deep human need”

Bartok, Beethoven and Pärt

Martha Argerich

Last night we dipped our toes into the Manchester International Music Festival, attending a concert at the Bridgewater Hall featuring a very varied programme – Bartok, Beethoven and Arvo Part.  I was there primarily for the Bartok (Music for Strings, Percussion and Celeste) and Part (Lamentate), but most of the audience were there for pianist Martha Argerich, who played Beethoven’s Piano Concerto No. 1, receiving several several rapturous standing ovations. Continue reading “Bartok, Beethoven and Pärt”