There’s a ruined church in Liverpool city centre; only the husk of the building remains, lacking roof and windows, bombed and burnt out on the night of 6 May 1941 during the Luftwaffe’s May Blitz on Merseyside. Last night I joined crowds outside St Luke’s church to see a sound and light show – Out of the Darkness – transform the bombed-out church to mark the 75th anniversary of the May Blitz. Continue reading “Out of the Darkness: Remembering the Liverpool May Blitz at St Luke’s”
For days after Christmas I didn’t leave the sofa, enthralled by The Beatles Tune In, the first of three volumes in which Mark Lewisohn intends to tell the definitive story of the Beatles. It’s a grand book in every sense of the word: this volume clocks in at close on a thousand pages, ending as the group travel to London to record their first single ‘Love Me Do’; it’s also meticulously-researched and written with passion, authority and elegance. This is not your average pop hagiography, but is also an informed and insightful social history of Liverpool and the emergent youth culture of the 1950s. After this, all future accounts of the lives of the Beatles will be redundant. Continue reading “The Beatles Tune In: Mark Lewisohn’s definitive account of the Liverpool years”
Since Christmas Day I’ve been reading Tune In, the first of three volumes in which Mark Lewisohn intends to tell the definitive story of the Beatles. It’s a grand book in every sense of the word: this volume clocks in at close on a thousand pages and ends just as the group travel to London to record their first single ‘Love Me Do’; it’s also meticulously-researched and written with passion, authority and elegance. This is not your average pop hagiography, but an informed and insightful social history of Liverpool and the emergent youth culture of the 1950s.
As the year turned, I found myself coincidentally reading Lewisohn’s evocative descriptions of two New Year’s Eves in Liverpool at the close of the 1950s. I thought I’d share them. Continue reading “New Year’s Eve, Liverpool, at the close of the 1950s”
35 years after John Lennon’s death, and 50 years since the release of Rubber Soul, here’s one of his best songs: ‘In My Life’. Half a century has passed since The Beatles’ Rubber Soul was released on 3 December 1965, and as the years have passed the song that I have come to love most off that album is Lennon’s ‘In My Life’. Continue reading “‘In My Life’: the song from Rubber Soul I grew to love the most”
The months drifted by, and to complete my plan to walk the Mersey from source to the sea I still had the section from Warrington down to Widnes to do. On what turned out to be the hottest day of the year so far, four of us set out on a walk through 250 years of industrial history. Continue reading “Walking the Mersey: Along Sankey Brook to Widnes”
One Saturday morning some time in the mid-1980s, when home-grown art works and photographs were displayed for sale on the railings outside the Bluecoat Arts Centre, I bought this moody photo, taken in 1984, of the Seacombe ferry arriving at the old wooden landing stage at Pier Head. It’s either early morning or a late winter afternoon. Shot by a photographer who has signed the print, but whose signature I can’t decipher, this iconic image has hung in our hall since we moved in here some thirty years ago. Continue reading “Razzle Dazzle on the Mersey”
Ruskin famously put down Whistler with his sneer on seeing his painting Nocturne in Black and Gold: The Falling Rocket that the painter was ‘a coxcomb asking two hundred guineas for flinging a pot of paint in the public’s face’. Whistler promptly sued him for libel. At about the same time, the tempestuous Whistler, who didn’t suffer fools gladly (and anyone was a fool who failed to understand his work) was having another mighty difference of opinion with his patron, Frederick Richards Leyland, a Liverpool shipping magnate from Speke Hall who had commissioned Whistler to decorate his dining room. The resulting Peacock Room was rejected by Leyland as a gross act of vandalism, though it is now considered one of Whistler’s greatest works. Continue reading “Whistler’s falling-out with the shipping magnate from Speke Hall”