Backtracking: jazz encounters in the room of dreams

Backtracking: jazz encounters in the room of dreams

It’s a curious thing, but just as I was entering the time of sleep lost after the arrival of the new pup, I began listening to the new release on the ECM label from the Tarkovsky Quartet. Not only was the album entitled Nuit blanche (‘sleepless night’ this side of the Channel), it also featured a dog on the cover. Not only that, the quartet, founded some years ago by the French pianist François Couturier and consisting of cellist Anja Lechner, soprano saxophonist Jean-Marc Larché and accordionist Jean-Louis Matinier takes its name from the Russian film director whose greatest works include Stalker – which was itself the subject of Zona, a brilliant meandering, meditative book by Geoff Dyer, a bunch of whose books were all that I could focus on in the indolent, zoned-out state in which I found myself. In situations like this you can’t help asking, ‘What’s going on?’ Continue reading “Backtracking: jazz encounters in the room of dreams”

Terence Blanchard and the Inner City Ensemble

Terence Blanchard and the Inner City Ensemble

Terence Blanchard is a magnificent trumpet player with a huge reputation. Even if you’re not into jazz you may have heard his music on the soundtrack of films, including most of those directed by Spike Lee – including, memorably When the Levees Broke: A Requiem in Four Acts, Lee’s 2006 powerful film about Katrina and its aftermath.

So it was quite something to be able to hear Blanchard perform live at Parr Hall in Warrington recently as part of a new project – piloted by The Band on the Wall – in which he had worked with some of the UK’s most remarkable emerging musicians, as a mentor offering a bunch of thirteen musicians an apprenticeship culminating in live performances around the northwest.

What resulted was an evening of sensational jazz in which Blanchard treated us to stellar moments of trumpet virtuosity, while the young musicians of the Inner City Ensemble, left to their own devices by Blanchard for a major part of the gig, proved an equal match in both their collective playing and in individual  exchanges between instruments. Continue reading “Terence Blanchard and the Inner City Ensemble”