The Last Letter is a film made by Frederick Wiseman in 2002. It was his first non-fiction film after four decades of making celebrated documentaries examining American institutions, and is a record of a sixty-minute performance by French actress Catherine Samie which Wiseman had previously directed at the Comédie-Française in Paris. It is one of the most compelling representations on film of the experience of the Holocaust that I have ever seen.
Stripped to bare essentials, the film presents a bravura monologue taken from from Vasily Grossman’s novel Life And Fate. Featuring only the performer on a bare stage, there are no props, and there is no score. The monologue represents the last letter to her son from a Russian-Jewish doctor who has been forcibly removed by the Nazis from her home to a Ukrainian ghetto. Continue reading “The Last Letter: ‘this whole world will disappear for ever under the earth’”