A revival of David Hare’s 1993 play, The Absence of War, seemed an enticing prospect. A drama portraying the Labour Party as lost in ideological confusion, drained of vitality, and unable to mobilise public support or present a vision or values in any compelling way promised to be highly relevant in present circumstances.
But at the Liverpool Playhouse the other night I found Headlong’s revival an uninspiring disappointment. The production seemed drained of energy, suffering from lifeless acting and direction which did little to overcome a script that suffered from flatness of dialogue and shallowness of characterisation. It was as airless as the meeting rooms in which most of the action took place and the arguments that were batted back and forth in them. Continue reading “The Absence of War: parliamentary socialism, anybody?”