Among the galaxy of boundary-probing musicians recorded by Manfred Eicher’s ECM label, the name of Markus Stockhausen has a particular resonance. He’s the son of composer and pioneer of the avant-garde Karlheinz Stockhausen, regarded as one of the great visionaries of 20th-century music, with whom Markus collaborated on several compositions.
The flugelhorn player has got a new album out on ECM, Alba, on which he appears with pianist Florian Weber, and he was at the RNCM in Manchester last night to promote it, at the same time leading sessions teaching students the rudiments of what he calls ‘intuitive music’. During the concert – in which the duo – a.k.a. Inside Out – played several compositions from the new CD, we were treated to two exhilarating examples of intuitive music, performed with a band of the brilliant students with whom he had been working. Continue reading “Markus Stockhausen and Florian Weber at RNCM: exhilarating, intuitive music”
There was a rare opportunity on Sunday evening to catch the Kronos Quartet in concert at the Royal Northern College of Music in Manchester. No strangers to the capital, they rarely tour the UK as extensively as they are doing this month.
Kronos may look like a conventional string quartet (since 2013, they have consisted of founder David Harrington on violin; John Sherba, violin; Hank Dutt, viola; and Sunny Yang – the most recent recruit to the group – on cello), but their repertoire and approach to their instruments is far from conventional.
The quartet has been in existence for over 40 years, with only the cello player changing in that time. The eclectic Kronos repertoire draws largely – though far from exclusively – on 20th and 21st century contemporary classical music, and they are renowned for championing new music of all genres and from all parts of the world. All of which was evident in the exciting programme they presented at the RNCM. Before a packed concert hall, the Quartet drew a rapturous reception, and the thunderous applause they got at the close compelled the musicians to return to the stage four times for encores.
Continue reading “The Kronos Quartet at RNCM: all kinds of music, every which way”
This is the third post in which I recall some of the music I’ve enjoyed in 2015 but never got round to writing about. This one is dedicated (with two exceptions) to music recorded on the record label that is, for me, indispensable – ECM. There’s a lot of jazz, examples of the gift of ECM’s guiding spirit Manfred Eicher for bringing together musicians from different contexts to create wonderful sounds, and some of the contemporary music released on the ECM New Series label. Continue reading “The music in my head (part 3): jazz and beyond”
In the gilded elegance of the Concert Room in St Georges Hall last week, Ensemble 10/10 led a small but enthusiastic audience on a journey through the aesthetic and political fault lines that shattered 20th century Europe.
As always, Ensemble 10/10 – a splinter group from the Liverpool Philharmonic Orchestra – was led by Clark Rundell, who always communicates energy and enthusiasm for the pieces on the programme. I like these occasions for Rundell’s concise, informed introductions to each work, and because I get to hear music that is challenging and which I met never otherwise get to hear.
For example, the main event at last week’s concert was to be the world première of Bosnian Voices by Nigel Osborne, unknown to me at that point, whose new work sets to music verses composed by people of all faiths and backgrounds from the town of Srebrenica in Bosnia. Continue reading “Ensemble 10/10 explore Europe’s 20th century fault lines”