Son of Saul: Auschwitz in unrelenting close-up

<em>Son of Saul</em>: Auschwitz in unrelenting close-up

In recent days I’ve made two journeys back into the dark heart of Auschwitz courtesy of a book and a film. But You Did Not Come Back is Marceline Loridan-Ivens’ moving memoir addressed to her father. Aged fifteen, she survived the death camp, but her father did not return. The acclaimed film Son of Saul was my second encounter with the horrors of Auschwitz. Despite the praise heaped upon László Nemes’s film, I have my reservations. Continue reading Son of Saul: Auschwitz in unrelenting close-up”

Representations of the Holocaust: stage, screen and text

Representations of the Holocaust: stage, screen and text

To forget the dead would be akin to killing them a second time.
― Elie Wiesel, Night

Human suffering anywhere concerns men and women everywhere.
― Elie Wiesel, Night

Two very different representations of the Holocaust seen in the last 48 hours are the subject of this post. The first is the stage adaptation by Children’s Touring Partnership of  Irish novelist John Boyne’s ‘fable’ for younger readers, The Boy In The Striped Pyjamas, set in Auschwitzthe second a documentary film, Night Will Fall, about the army photographers who filmed the horrific scenes revealed when British forces entered the concentration camp at Bergen-Belsen. Continue reading “Representations of the Holocaust: stage, screen and text”