Can a medieval poem meditating on the suffering of Mary, the mother of Christ, as she stands at the foot of the cross have any relevance to these times, or to someone like me who adheres to no faith? The answer given by the performance of James Macmillan’s new setting of Stabat Mater at Manchester’s Bridgewater Hall was a resounding yes.
The singers of Harry Christophers’ The Sixteen and the strings of the Britten Sinfonia combined to produce an electrifying performance of Macmillan’s elegiac, angry and often discordant cry of grief and personal commitment in the face of tragedy. I don’t think I’ve attended a more enthralling concert of contemporary music in the classical tradition. Continue reading “The Manchester premiere of James MacMillan’s Stabat Mater: sacred music concerned with the suffering of humanity”