Stolen bodies working stolen land. It was an engine that did not stop, its hungry boiler fed with blood.
Colson Whitehead’s novel, The Underground Railroad, chronicles the life of a teenage slave named Cora, who flees the Georgia plantation where she was born, enduring unremitting hardship in search of freedom. The first time she had been approached by fellow-slave Caesar she had said no. Three weeks later they ran, pursued by a fanatical slave catcher named Ridgeway, determined to hunt them down and destroy the abolitionist network that has aided them. In flight, Whitehead’s narrative evolves into something both unexpected and surreal as he conjures scenes that fracture the distance between America’s past and its present. Continue reading “The Underground Railroad by Colson Whitehead: ‘If you want to see what this nation is all about, you have to ride the rails’”
Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.
–Thirteenth Amendment of the United States Constitution
Ava DuVernay makes documentaries, though her most celebrated film is Selma, a dramatisation of the story of the historic 1965 marches from Selma to Montgomery and their place in the struggle for black voting rights. Last night I watched her most recent film, a Netflix documentary about the American prison system that goes under the title, 13th.
The film takes its title from the 13th amendment, which outlawed slavery but left a significant loophole which continues to permit involuntary servitude when used as punishment for crime. In meticulous detail, DuVernay shows how this loophole was exploited in the aftermath of the abolition of slavery at the end of the Civil War and continues to be abused to this day.
In Selma, Stephan James portrayed John Lewis, the SNCC activist whose skull was fractured by police who attacked the marchers on the Edmund Pettus bridge on ‘Bloody Sunday’, 7 March 1965.
That’s the same John Lewis whose reputation was besmirched in a tweet by Donald Trump the other day, and it’s the same Donald Trump to whom DuVernay devotes a powerful sequence in 13th. Continue reading “Ava DuVernay’s 13th: from slavery to the mass incarceration of African-Americans in privatised prisons”