A Midsummer Night’s Dream at the Everyman: darkness on the edge of town

There’s a darkness on the edge of town. A place of misrule and disruptive magic that in Shakespeare’s day incited dark fears and dreams of wild abandon. The Everyman production of A Midsummer Night’s Dream, seen on the penultimate night of its successful run, helped me appreciate for the first time the darker side of Shakespeare’s … Continue reading A Midsummer Night’s Dream at the Everyman: darkness on the edge of town

The Absence of War: parliamentary socialism, anybody?

A revival of David Hare’s 1993 play, The Absence of War, seemed an enticing prospect. A drama portraying the Labour Party as lost in ideological confusion, drained of vitality, and unable to mobilise public support or present a vision or values in any compelling way promised to be highly relevant in present circumstances. But at the Liverpool Playhouse the other night I … Continue reading The Absence of War: parliamentary socialism, anybody?

One Man Breaking Bad

How to explain the phenomenon of Breaking Bad? I pondered this as we waited for One Man Breaking Bad to begin last night in a sold-out, packed Liverpool Philharmonic. The fact that Miles Allen, a Los Angeles-based actor and comedian could fill the place with his 80-minute précis of five seasons of a series never shown on UK television is quite something. Asking … Continue reading One Man Breaking Bad